The monk and the Flamingo Dancer

Perth Jan5 2013 101For days Daughter2 and I talked of driving out to New Norcia and touring the historical Benedictine settlement that is situated there. The thought of sighting a monk in his natural habit and habitat was exciting in a strange sort of way.

So two hours drive out of Perth, on a 40C day we started our pilgrimage. Now, I thought that the monks would be as excited that I was coming to visit them, as I was to be viewing them. It appears not. In fact it seems that of the 8 monks still in residence, 6 were away on holiday. Monks on holiday. Geeze, what happened to the old days when you forsake/forsoke?  all others and kept youself only unto the Big Whatever. Home for Christmas! Isn’t that like their busy season?

So I felt a bit jibbed to be told only 2 monks were in residence and they had the Do Not Disturb sign out.

I was so distressed that I made my first stop the New Norcia Hotel, where I partook of a glass of the monk’s finest Chardonnay, and D2 tried the Abbey’s ale. I even ordered a ploughman’s lunch to harden the resolve to face heat, dust and flies on the 90 minute tour.

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The hotel apparently was built in anticipation of Queen Isabella II of Spain coming to visit, but she was rude enough to die before she could make the journey, so the monks turned it over to visitors to use (parents visiting their children at the boarding school) and then to a hotel. I think they were under the impression that Bella would bring some of those Spanish pesetas with her, and so toiled in the heat and dust to make the bricks to make a palace fit for a Queen, and then when she was a no show, and even more so her money, promptly did nothing to maintain the place ever again.

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Leading to the ladies rest room - monk chic.

Leading to the ladies rest room – monk chic.

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Over lunch I started me repartee of monks and little boy jokes (I am a lapsed Catholic, I have every right to use sarcasm and truth against my own religion). D2 was a little worried about how Mama was going to conduct herself on the tour, but I told her as long as I didn’t have a second glass of wine I would manage to keep my mouth closed and inside words, well inside. I did reserve the right to roll my eyes/eye in disbelief though.

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The lunch view - real West Australia and did I mention 40C?

The lunch view – real West Australia and did I mention 40C?

The disbelief came pretty thick and fast, especially when we were told that they converted the Aboriginals over a cup of sweet tea.And apparently it was a mild inconvenience when the Aboriginal Post Mistress and her replacement died in a measles epidemic that killed 85 percent of the indigenous population at New Norcia.

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There was both a boarding school and “orphanage” at New Norcia. The joke is that the orphanage wasn’t filled with orphans at all,  but “indigenous children whose parents sent them for a better education”. Reading between the lines one can only read STOLEN GENERATION. 

I know those letters are really monkish for Do Not Disturb

I know those letters are really monkish for Do Not Disturb

The Monks hang out here

The Monks hang out here, this was taken through the railings of a locked gate.

The race/gender WALL

The race/gender WALL

Better still, there was this big brick wall, or walls, that separated the “European boys” from the “Aboriginal boys”. At one stage the school went co-ed with nuns running the place, so not only were the walls there to separate race but also gender.

New Norcia is known for the bread it makes, and we toured the old flour meal which was shut down due to those pesky work place health and safety laws and the fact that they didn’t have a ready supply of boys to work there instead of being in school. I think by now you all have a pretty strong grip on how I feel about the subject.

By the end of the tour, we had been through three chapels, all very beautifully crafted by the monks, but were not shown any reality. All I could think of was the utter misery that those children must have experienced there. I felt as though every brick was crying.

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Head Monk's tomb

Head Monk’s tomb

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The organ

The organ

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Confessional used by the monks to hear the children’s confessions.

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The dead centre

The dead centre

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On the lighter side, may I mention again that is was 40C and we went on a 90 minute walking tour. I had a water bottle with me, and I tried to be nice and share the dregs with D2 but in the last chapel I barely had the strength nor the will to life my camera. I was ready to cut and run when the guide announced the end of the tour. D2 and I were off like gazelles to our car and down the road to the service station where I bought a lemonade ice block, and orange drink and a bottle of water which I guzzled down while sitting in a cafe that seemed to be filled with the cast off furniture from the monk’s own dining room; except for the pew near the door, which naturally would have come from one of the three churches.

Rogues gallery of monks in the road house cafe. Monk 4th from right was "the bookbinder and the gatekeeper".  The GATEKEEPER!

Rogues gallery of monks in the road house cafe. Monk 4th from right was “the bookbinder and the gatekeeper”. The GATEKEEPER!

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So perhaps it was better that I didn’t come across one of the monk’s because it may have been more than my control could have taken. We also have to face that with only 8 in residence, well 2 and the 6 at the beach, my mere presence may have caused the end of the order, because obviously being monks they aren’t used to a women of my calibre, so by not crossing paths they get to pray another day.

On the drive back to Perth we stopped at a bakery for tea and pastry and my heart jumped for joy, as the deck ceiling sported a water spray system that misted the area every few seconds with a very fine mist that instantly evaporated but managed to cool the area a little. If anyone gets a sainthood it should be the owner of that bakery, bless them. In case you didn’t read my words – it was 40 DEGREES CELCIUS, people. DAMN HOT.

Sometimes the simple things in life are often the best - in this case ceiling water spray system

Sometimes the simple things in life are often the best – in this case ceiling water spray system

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mixed media and organics – Museum and Art Gallery, Perth, Western Australia

The following are a mix of the collections of both the Perth Museum and the Perth Art Gallery both of which are within the Perth Cultural Centre.

There is a wetlands garden between the two precincts.

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And this guy is called the Caller, for the obvious reasons!

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Now, regular reading of the fabulous Flamingo Dancer are aware of my stick list – a list of the people who I am going to hit on the last day. That last day may be my last day at work, or anywhere, or life itself, but cross me and emblazoned you will be. GOM made the list this week for saying the dino bride looked like his mother in law (I am the perfect mother in law, naturally. Ask anyone, I will tell you.)

So, can you imagine my joy when I cam across this little guy sitting in his acrylic display box, in a corner? Be still me beating heart.

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Stick by David Shrigley circ 1996
STICK. Cement fondue, enamel paint

It was a red letter day for this Flamingo Dancer. Of course this guy doesn’t have the flair and beauty of my stick, but the knowledge that one has created a cultural icon that others aspire to recreate is soul stirring, and ego building, to say the least!

Back to the more mundane art of the common people

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 Sorry, I didn’t get the details on this pair, as some Asian tourists kept lining their family up in front of the catalogue card and so I just moved on for their safety. (I knew where the stick was by this time and was not adverse to breaking the glass in an emergency).

Flatland by Joanna Lamb

Flatland by Joanna Lamb

Flatland is a perfect representation of middle class Australia, where the houses remain all the same to this day. Street after street, suburb after suburb.

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Wedgwood

Wedgwood

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Bunny by Ralph Pearce

Bunny by Ralph Pearson

Sorry the colour is not accurate, but it was the gallery lighting, a point and shoot camera and no flash.

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Just a step to the left outside the gallery is the roof top garden. (I am guessing the rooftop is to the car parking garage!)

In fact the raised  plots are both flowers, vegetables, herbs and fruit trees.

In fact the raised plots are both flowers, vegetables, herbs and fruit trees.

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Oh look the big bad CBD, where the ordinary people toil

Oh look the big bad CBD, where the ordinary people toil

Saturday we are hanging out with a bunch of monks, so that should make for some interesting reading…

Art, Love and Life: Ethel Carrick and E Phillips Fox

E. Phillips Fox "Loves me Loves me not" circa 1909

Monday was Queensland’s Labour Day public holiday, so Daughter2, freshly returned from her Pacific cruise, and I went to view the  Ethel Carrick Fox and E. Phillips Fox  exhibition at the Queensland Art Gallery.  The exhibition has been open since April 16th, but the underground parking had been closed until very recently due to the January flooding (yes, in their wisdom the powers that be built the galleries and museum on the banks of the Brisbane River!)

I had fallen in love with the work of Ethel Carrick (1872-1951) when I found an art book in a sale box when I was managing a book store back in the late 1990s.  I am a devotee of impressionism and so her work spoke to me immediately.

Ethel Carrick (1872-1951)

E. Phillips Fox circa 1912. Fox died in 1915.

The exhibition was extensive and well supported with clear information. D2 commented that she loved the way the QAG tells the story of the artist’s life as well as explaining their work as one progresses through the exhibition, something she had not seen in galleries in other parts of the world that she has visited. It was a joy to quietly walk through the gallery taking in the work of this wonderful husband and wife artistic partnership.

Ethel Carrick Fox "French flower market" circa 1909

Ethel Carrick Fox "Flower Market" c.1910

After a visit to the gallery shop,

we viewed the European Art to 1900 exhibition

A porcelain display was my favourite – the colours were so beautiful and the work so delicate.

Sevres

Afterwards we had a lovely lunch in the restaurant at the adjoining State Library (also on the Brisbane River bank!!!!) and a browse through the Library’s bookshop.

It was a lovely afternoon, as not only did I get to immerse myself in art, sculpture and all things fine and beautiful but I got to spend some catch up time with my lovely daughter and hear all her trip news. Perfect Brisbane autumn weather with clear blue skies and a soft breeze made this a wonderful day.

art+soul

A journey into the world of Aboriginal art.

FROM THE PUBLISHERS OF THE BESTSELLER FIRST AUSTRALIANS COMES the lavishly illustrated ART+SOUL, the companion book to the prime-time ABC TV series by the same name.

 art+soul is inspired by the flourishing of Aboriginal and Torres Strait Islander art in Australia over the past thirty years, captivating viewers around the world with astonishingly powerful artworks.

Hetti Perkins, the distinguished Aboriginal art curator, travels to the startlingly beautiful landscapes of remote Arnhem Land, saltwater country and the desert heartlands of Central Australia, sharing with us the rare privilege of being welcomed into the homes and homelands of many senior artists.

This lavishly illustrated book captures the remarkable energy and diversity of Aboriginal art, from the Papunya Tula Artists, the renowned art movement that had its humble beginnings in the early 1970s, to Rover Thomas and his heirs’ phenomenal achievements in the East Kimberley. It features the work of contemporary artists Destiny Deacon, Brenda L Croft and Michael Riley, and that of the celebrated Emily Kam Ngwarray, whose paintings revolutionised Australian art.

art+soul tells their stories-heartfelt, intimate and political.

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Also available in DVD.

This is not a sponsored ad – I just want the world to be aware that Aboriginal art is alive and well in Australia!